Shelly Kraicer's publications and programming:
a complete list |
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Festival programming & consulting | ||
Guest curator: City at Light Speed: Hong Kong cinema since 1997 | Cinematheque Ontario | June 2002 |
Consultant, mainland Chinese film programme | Far East Film Festival, Udine | May 2002 |
Print/online publications (revised May 2002) | ||
Alice Mak & Brian Tse's My Life as McDull: review | Cinema Scope | June 2002, issue 11, p. 70 |
Stephen Chiau: a guide for the perplexed | Cinema Scope | March 2002, issue 10, pp. 18-21 |
David Bordwell's Planet Hong Kong: book review | Chinese Cinema Page | March, 2002 |
Tsai Ming-liang's What Time Is It There: review | Persimmon | Spring 2002, vol. III, no. 1, pp. 89-91 |
Interview: Johnnie to and Wai Ka-fai | Senses of Cinema | Jan-Feb. 2002, Issue 18 |
Reel Asian Film Festival (Toronto): Leaving In Sorrow: review | Chinese Cinema Page | December, 2001 |
East Asian films at the 26th Toronto International Film Festival: a report | Senses of Cinema | Nov-Dec. 2001, Issue 17 |
Wang Chao's The Orphan of Anyang (Anyang de guer): review | Cinema Scope | September 2001, Issue 8, pp. 19-20 |
Singing Chen's Bundled (Wo jiao A Ming la): review | Cinemaya | Summer 2001, Issue 52, pp. 33-35 |
Aubrey Lam's Twelve Nights: review | Cinemaya | Spring 2001, Issue 51, pp. 22-24 |
Jia Zhangke's Platform (Zhantai): review | CineAction | Spring 2001. Issue 54, pp. 67-70 |
Johnnie To and Wai Ka-fai's Help!!!: review | Senses of Cinema | Feb-March 2001, Issue 12 |
Interview with Tsai Ming-liang | Positions: east asia cultures critique | Fall 2000, Volume 8:2, pp. 579-588 |
The Hong Kong International Film Festival 2000: review article | CineAction | Winter 2000, no. 53, pp. 64-72 |
Time blossoms, time fades: In the Mood for Love: feature article | Cinema Scope | Fall 2000, issue 5 |
Little Cheung: Toronto Film Festival review | Cinema Scope | Fall 2000, issue 5 |
Not One Less: review | Persimmon | Winter 2001, Vol. 1, no. 3 |
Shower: film review | Cinema Scope | Summer 2000, issue 4 |
Man Man Woman Woman: film review & interview | Virtual China | June 2, 2000 |
Sausalito: film review | Virtual China | May 19, 2000 |
Hollywood East: Hong Kong movies and the people who make them: book review | Virtual China | March 1, 2000 |
Darkness and Light (TIFF 1999 film review) | CineAction | Feb. 2000, no. 52, pp. 60-61 |
Best of the Nineties list;
In the Heat of the Sun film review |
Cinema Scope | Winter 2000, issue 2, p. 47 & p. 56 |
Love Will Tear Us Apart: film review | Cinemaya | Winter 1999, issue 46, pp. 20-22 |
Zhang Yimou in Lumière et Compagnie (1995): 52 seconds x 9 readings: an exercise in over-interpretation | Asian Cinema | Fall 1998 vol. 10, no. 1, pp. 112-117 |
Edward Yang: a Taiwanese independent filmmaker in conversation (co-written with Lisa Roosen-Runge) | CineAction | Sept. 1998, no. 47, pp. 48-55 |
Allegory and ambiguity in Zhang Yimous Shanghai Triad | CineAction | Feb. 1997, no. 42, pp. 15-17 |
Conference paper | ||
Zhang Yimou in Lumière et Compagnie (1995): 52 seconds x 9 readings: an exercise in over-interpretation | Asian Cinema Studies Society Conference, Peterborough, Canada | August 1997 |
Interviews | ||
Feature interview: Canadian critic builds website devoted to Chinese language cinema | Sing Tao Daily (Toronto edition) | 18 July 2001 |
Hollywood zooms in on China, by Franklin Paul | CNNfn | May 22, 2000 |
Feature interview on the Chinese film industry | The World Today, BBC World Service | August 14, 1999 |
Internet media | ||
The Chinese Cinema List | Editor of an email discussion list on Chinese language cinemas | March 1999-present |
A Chinese Cinema Page | Writer, editor and webmaster of a web site devoted to Chinese language cinemas | 1995-present |
all content © 1996-2002 Shelly Kraicer